Bill Simmons’ depressing take on “Bull Durham”

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Bill Simmons has tackled sports movies countless times since he’s been writing. And he often has interesting things to say about them. However, I continue to be baffled at his obsession with deciding whether movies are actually “sports movies” or if they’re something else. I mean, yes, it’s interesting to think about the topic — sometimes sports movies could be set elsewhere and tell the same story, sometimes not — but I’m not sure why he considers it such a fundamental, threshold consideration.

“Bull Durham” is his favorite target. He seems to like the movie (well, outside of Tim Robbins’ lack of athleticism, which drives him insane), but the genre of that film bothers him a whole heck of a lot. If you don’t believe me Google “Simmons” “Bull Durham” and “chick flick.” I bet he’s written about it a half dozen times. Maybe more.

None of which ever bothered me too much before — we all have our schticks and we all have dead horses we beat — but I was rather irked by the manner in which he tackled it in his most recent sports movie column this past Friday. Check this out, emphasis supplied by me:

Sure, this is an inventive movie that nailed so many minor league baseball nuances (the lingo, the rhythm, the fans, etc.) and wasn’t afraid to be candid and raunchy (a riskier move in 1988). But why does it really work? Because it caught Peak Costner and Peak Sarandon, two A-list stars at the top of their games. They’re great in the movie and they’re great together. You somehow never hold it against Sarandon that she’s a tramp who sleeps with one new player every season, or that she’s juggling Robbins and Costner and doing everything short of having a threesome with them. And you don’t mind that the last quarter of the movie degenerates into a flat-out love story worthy of the 10,275 times Lifetime has aired this thing.

I’m pretty used to sports bros denigrating or being uncomfortable with anything remotely related to romance, femininity or emotions, but now he’s reduced himself to slut-shaming. To marveling at how it took a near-Oscar-worthy performance for us to get over what he feels is the clear and rational response to a woman having somewhat non-traditional sexual values (i.e. to react so negatively that we would, naturally, hold it against her and consider her a whore). Somehow Sarandon’s character is a “tramp” whereas Nuke LaLoosh — who, like Annie has two on-screen sexual partners in the whole movie — isn’t a problem for him. Nor can I ever recall him talking about male promiscuity in a movie in a negative manner at all.

I have no idea why Simmons is so hung up on the parts of this movie he otherwise seems to enjoy, but it’s sad. It wore pretty immaturely on a single sports writer in his 20s. It wears far less on a sports writer who is in his mid-40s and is a father of a daughter.

Khris Davis shut down with oblique issue

Khris Davis
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Athletics designated hitter Khris Davis has been placed on the 10-day injured list with a left hip/oblique contusion, per a team announcement. He’ll be shut down from swinging a bat for five days, at which point he’ll undergo further evaluation. A definite timetable for his return has not been announced.

Davis initially sustained the injury after colliding with the left field wall earlier this month, and doesn’t appear to have recovered as quickly or completely as the club hoped he would by this point. Since the move is retroactive to May 22, he’ll be eligible to come off the injured list in early June, assuming all goes according to plan.

In a corresponding move, rookie outfielder Skye Bolt was recalled from Triple-A Las Vegas to fill the vacant roster spot. Without Davis in the lineup, the team will continue to utilize Mark Canha at DH, as the 30-year-old infielder is currently batting a serviceable .224/.346/.567 with seven home runs and a .913 OPS through his first 81 PA of the year.