Movie Review: “42”

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We all know the story, I hope: baseball, due to an odious “gentleman’s agreement,” kept itself segregated and lily white for 50-60 years. Branch Rickey, as general manager of the Brooklyn Dodgers, set out in the mid 1940s to find just “the right man” — meaning a black man — to bring to the major leagues, thereby breaking that color barrier. Jackie Robinson was the right man. He made his major league debut in 1947, standing up to and utterly transcending the petty and hateful moods of the day, making the racists look like the retrograde buffoons they were, kicking off a Hall of Fame major league career and changing baseball — and America — forever.

But the fact that we all know that story creates one small problem: how in the heck do you make a movie out of it that delivers anything fresh, new or even the least bit suspenseful? With a fantastic hero and a fantastic story — which has the added benefit of being 100% true — at their disposal, this was the challenge for the makers of “42.”  They did a good job with it. Not a great job. But a good job. One that’s worth the price of admission but that isn’t quite the Oscar-bait or piece of importance you get the sense they think they made.

The central problem with the film is a problem you see with almost all biopics: characters who appear to be overly-aware that they’re in a biopic. To be sure, Branch Rickey, Jackie Robinson and others knew for a fact that what they were doing was historically significant. But I’m struggling to imagine how the real Jackie Robinson and Branch Rickey could ever have carried on a couple year’s worth of conversations in which every other phrase was a platitude or a grand declaration underscoring just how significant everything was. Yes, a filmaker needs a shorthand way to convey years’ worth of information and drama in a 115-minute film, but Harrison Ford’s Rickey and Chadwick Boseman’s Robinson often seem more like robots from a living history museum than real people.

source:  Which isn’t to say that their performances aren’t good. In fact, in many ways they’re quite wonderful. Chadwick Boseman impresses as Robinson, especially in the baseball scenes. Actors frequently screw up baseball movies due to their inability to, you know, play baseball (I’m looking at you Tim Robbins, Tony Danza and many, many others), but Boseman captures Robinson’s essence as a ballplayer. Most impressively his running style and the way in which he terrorized pitchers trying to hold him on. While the thinner-bodied Boseman isn’t exactly a close physical match for Robinson, not once while watching him do you not believe he is, in fact, Jackie Robinson. That’s something that an awful lot of biopics screw up (I’m looking at you Leo DiCaprio in “The Aviator” and Jack Nicholson in “Hoffa”).

Harrison Ford is another matter. Much has been made about how he has hammed it up as Rickey. And yes, it is a bit jarring at first to see a longtime leading man like Ford putting on such a mannered, almost gimmicky performance. But over the course of the film Ford’s Rickey grew on me. It’s weird. You never forget that you’re watching Harrison Ford playing someone who is, more or less, Branch Rickey. But you can tell Ford had a lot of fun doing it and that sense of fun helps lighten things up somewhat in a film with many difficult and often uncomfortable scenes. And, strangely enough, knowing that it’s Harrison Ford there under those bushy eyebrows — Han Solo! Indiana Jones! Jack Ryan! The President of the United States! — adds some gravitas to a character which demands some gravitas.

With a sometimes ponderous script on one side and some winning performances on the other, what puts this movie over as a good one? The decision to focus most of the film’s attention on the baseball. After a couple of opening scenes set in offices, most of the rest of what’s important in “42” happens on the diamond, and those scenes look and feel great. Thanks to some nifty CGI Ebbets Field, the Polo Grounds, Forbes Field and Crosley Field look so real you’d think you’ve stepped into a time machine. The game play feels real too. Maybe a bit minor league (I know Robinson was fast, but man, those catchers couldn’t have thrown THAT poorly back then) but what is often a weakness in baseball movies — the actual baseball — is a strength here.

Other strengths: winning supporting performances from Alan Tudyk as Phillies manager Ben Chapman, John C. McGinley as Red Barber and Christopher Meloni as Leo Durocher. Tudyk is absolutely (and appropriately) horrifying as the racist Chapman. McGinley delivers Barber’s signature catch phrases (“in the catbird seat” and “tighter than a new pair of shoes on a rainy day”) as if they weren’t signature catch phrases, putting you in mind of a radio listener in 1947. Meloni’s Durocher takes a few more liberties — I sincerely doubt the real Durocher casually dropped things like “nice guys finish last” at the end of random phone calls — but he conveys Durocher’s larger-than-life persona in a few key scenes.

Ultimately, “42” is a good baseball movie which delivers on the baseball but not so much on the movie. History tells us what happened, so it can only do so much to be even a little bit suspenseful or surprising. And the format almost requires conversations to be exercises in exposition rather than true, character-driven dialogue. For this reason it doesn’t enter the baseball movie pantheon and, at times, can be a bit of a slog.  But it’s definitely worth your time and your money.

Biden praises Braves’ ‘unstoppable, joyful run’ to 2021 win

Geoff Burke-USA TODAY Sports
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WASHINGTON — President Joe Biden said the Atlanta Braves will be “forever known as the upset kings of October” for their improbable 2021 World Series win, as he welcomed the team to the White House for a victory celebration.

Biden called the Braves’ drive an “unstoppable, joyful run.” The team got its White House visit in with just over a week left before the 2022 regular season wraps up and the Major League Baseball playoffs begin again. The Braves trail the New York Mets by 1.5 games in the National League East but have clinched a wildcard spot for the MLB playoffs that begin Oct. 7. Chief Executive Officer Terry McGuirk said he hoped they’d be back to the White House again soon.

In August 2021, the Braves were a mess, playing barely at .500. But then they started winning. And they kept it up, taking the World Series in six games over the Houston Astros.

Biden called their performance of “history’s greatest turnarounds.”

“This team has literally been part of American history for over 150 years,” said Biden. “But none of it came easy … people counting you out. Heck, I know something about being counted out.”

Players lined up on risers behind Biden, grinning and waving to the crowd, but the player most discussed was one who hasn’t been on the team in nearly 50 years and who died last year: Hall of Famer Hank Aaron.

Hammerin’ Hank was the home run king for 33 years, dethroning Babe Ruth with a shot to left field on April 8, 1974. He was one of the most famous players for Atlanta and in baseball history, a clear-eyed chronicler of the hardships thrown his way – from the poverty and segregation of his Alabama youth to the racist threats he faced during his pursuit of one of America’s most hallowed records. He died in January at 86.

“This is team is defined by the courage of Hank Aaron,” Biden said.

McGuirk said Aaron, who held front office positions with the team and was one of Major League Baseball’s few Black executives, was watching over them.

“He’d have been there every step of the way with us if he was here,” McGuirk added.

The president often honors major league and some college sports champions with a White House ceremony, typically a nonpartisan affair in which the commander in chief pays tribute to the champs’ prowess, poses for photos and comes away with a team jersey.

Those visits were highly charged in the previous administration. Many athletes took issue with President Donald Trump’s policies and rhetoric on policing, immigration and more. Trump, for his part, didn’t take kindly to criticism from athletes or their on-field expressions of political opinions.

Under Biden, the tradition appears to be back. He’s hosted the NBA champion Milwaukee Bucks and Super Bowl champion Tampa Bay Buccaneers at the White House. On Monday he joked about first lady Jill Biden’s Philadelphia allegiances.

“Like every Philly fan, she’s convinced she knows more about everything in sports than anybody else,” he said. He added that he couldn’t be too nice to the Atlanta team because it had just beaten the Phillies the previous night in extra innings.

Press secretary Karine Jean-Pierre was later questioned about the team’s name, particularly as other professional sports teams have moved away from names – like the Cleveland Indians, now the Guardians, and the Washington Redskins, now the Commanders – following years of complaints from Native American groups over the images and symbols.

She said it was important for the country to have the conversation. “And Native American and Indigenous voices – they should be at the center of this conversation,” she said.

Biden supported MLB’s decision to pull the 2021 All-Star Game from Atlanta to protest Georgia’s sweeping new voting law, which critics contend is too restrictive.