Mike Scioscia and struggling C.J. Wilson had another closed-door meeting

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C.J. Wilson struggled again Wednesday night, as his former Rangers teammates knocked him out of the game in the third inning, and afterward he had what Mike DiGiovanna of the Los Angeles Times describes as “a lengthy closed-door meeting” with manager Mike Scioscia.

According to DiGiovanna it’s the second such meeting Wilson and Scioscia have had since the All-Star break and clearly the first get-together didn’t do much good, as he’s got a 5.79 ERA in 14 second-half starts.

However, despite Wilson’s struggles and Jerome Williams’ nice long-relief outing after he exited Scioscia is sticking with him in the rotation because “we want him to get comfortable with some things and get back out there … I can’t overstate how much we need our starters to do what they’re capable of.”

DiGiovanna reports that Scioscia and pitching coach Mike Butcher previously stressed to Wilson that he should be more aggressive and scale back his repertoire in an effort to avoid so many deep counts and walks. Wilson led the league in walks with the Rangers in 2010 and then cut his walks to 74 in 223 innings last season, but he’s already issued 83 free passes in 191 innings this year.

Wilson is in the first season of a five-year contract that will pay him $11 million in 2013, $16 million in 2014, $18 million in 2015, and $20 million in 2016.

The Yankees stopped playing Kate Smith’s version of “God Bless America”

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The Yankees have played “God Bless America” during the seventh inning stretch since 9/11. The version they play is the most famous version, recorded in 1939 by Kate Smith. As of today they will no longer be playing the Kate Smith version, however.

Why? The New York Daily News reports that it’s because “the Yankees were made aware of Smith’s history of potential racism.” Which is a rather interesting way of putting it, because there’s not much “potential” to this:

Smith was a famous singer before and during WWII who recorded the offensive jingle, “Pickaninny Heaven,” which she directed at “colored children” who should fantasize about an amazing place with “great big watermelons,” among other treats. She shot a video for that song that takes place in an orphanage for black children, and much of the imagery is startlingly racist. She also recorded, “That’s Why Darkies Were Born,” which included the lyrics, “Someone had to pick the cotton. … That’s why darkies were born.”

I’m guessing this information was available in some Kate Smith biography or is in the memory of some of her big fans who may still be alive, but it was news to the Yankees until recently and once they learned it they decided that going with a version of the song NOT sung by Kate Smith was better. Good call!

Oh, and this was not the first time that the Yankees had to make this kind of call. Ten years ago they fired Irish tenor Ronan Tynan, who used to sing the song at the ballpark during the postseason, after he made anti-Semitic remarks. Precedent, baby.

Anyway, I’m sure someone will complain about this, but I feel like there are better hills to die on than “the Yankees should continue to play the racist lady’s version of the show tune that, despite what we think of it now, was never meant as an actual patriotic anthem.”

If you feel like dying on that hill, be my guest. But please, show your work.