Wilson Ramos was back in the Nationals clubhouse yesterday, visiting with his teammates two weeks after undergoing a second knee surgery.
Ramos injured his right knee on May 12, had surgery to repair a torn meniscus on June 1, and then needed a follow-up surgery on July 18 to repair further damage.
In other words, it was a pretty gruesome injury.
He has no chance of returning this season, as James Wagner of the Washington Post reports that he’s still limping and wearing a knee brace, although he’s no longer on crutches. However, the 24-year-old catcher sounds pretty optimistic about being fully recovered for spring training.
Not long after the new ownership group bought the Miami Marlins, face of the franchise Derek Jeter made it clear that he wanted the home runs sculpture beyond the outfield fence gone. He simply doesn’t like it aesthetically and many think that, among Jeter’s goals, he’d like to erase any trace of Jeff Loria’s legacy, which includes the sculpture.
The problem: the sculpture is not Jeter’s to remove. The sculpture is public property, purchased as part of the Art in Public Places program, which requires art to be installed for the public in county-owned buildings, which includes Marlins Park. Miami-Dade officials have said that moving it was not possible as the sculpture was “not moveable” and was “permanently installed: as it was designed specifically for Marlins Park. And that’s before you get into how logistically complicated it would be to move it. It’s seven stories tall and is connected to a hydraulic system, plumbing and there’s electricity.
What Jeter wants, however, Jeter eventually gets. From the Miami Herald:
The Miami Marlins won county permission on Tuesday to move its home-run sculpture out of Marlins Park to the plaza outside . . . In its new location outside, “Homer” will still turn on for home runs, as well as at the end of every home win and every day at 3:05 p.m., an homage to Miami’s original area code.
It may or may not be moved before Opening Day, but once it is moved there will be a new seating and standing room only area for spectators where the sculpture currently sits.