CoCo goes on DL with a bad toe-toe

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It was painfully obvious that Francisco Cordero’s toe was killing him while he was getting lit up in four of his six appearances for the Astros. Or at least, that’s what the team is going to tell anyone who asks.

Cordero was placed on the disabled list Friday after taking three blown saves and three losses in his first two weeks with his new club. He gave up 11 runs and 13 hits in five innings, making his 5.77 ERA with the Blue Jays look a whole lot better by contrast.

With Cordero out, the Astros have finally decided to close with their best reliever, Wilton Lopez. Lopez appeared to be the obvious choice to close this spring before the decision to move Brett Myers back to the pen resulted in his return to a setup role. Lopez has a 2.52 ERA in 39 1/3 innings to date, putting him on pace to finish under 3.00 for the third straight year.

Right-hander Mickey Storey was called up to replace Cordero in the bullpen.

The Yankees stopped playing Kate Smith’s version of “God Bless America”

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The Yankees have played “God Bless America” during the seventh inning stretch since 9/11. The version they play is the most famous version, recorded in 1939 by Kate Smith. As of today they will no longer be playing the Kate Smith version, however.

Why? The New York Daily News reports that it’s because “the Yankees were made aware of Smith’s history of potential racism.” Which is a rather interesting way of putting it, because there’s not much “potential” to this:

Smith was a famous singer before and during WWII who recorded the offensive jingle, “Pickaninny Heaven,” which she directed at “colored children” who should fantasize about an amazing place with “great big watermelons,” among other treats. She shot a video for that song that takes place in an orphanage for black children, and much of the imagery is startlingly racist. She also recorded, “That’s Why Darkies Were Born,” which included the lyrics, “Someone had to pick the cotton. … That’s why darkies were born.”

I’m guessing this information was available in some Kate Smith biography or is in the memory of some of her big fans who may still be alive, but it was news to the Yankees until recently and once they learned it they decided that going with a version of the song NOT sung by Kate Smith was better. Good call!

Oh, and this was not the first time that the Yankees had to make this kind of call. Ten years ago they fired Irish tenor Ronan Tynan, who used to sing the song at the ballpark during the postseason, after he made anti-Semitic remarks. Precedent, baby.

Anyway, I’m sure someone will complain about this, but I feel like there are better hills to die on than “the Yankees should continue to play the racist lady’s version of the show tune that, despite what we think of it now, was never meant as an actual patriotic anthem.”

If you feel like dying on that hill, be my guest. But please, show your work.