MLB officially suspends Juan Carlos Oviedo for eight weeks

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Juan Carlos Oviedo finally arrived in the United States today after receiving a travel visa, but it will be a while before he’s pitching for the Marlins again.

Major League Baseball announced this afternoon that Oviedo has been suspended eight weeks for engaging in age and identity fraud. Ovideo, formerly known as Leo Nunez, has been working through legal issues in his Dominican Republic after admitting to falsifying his identity last September. The suspension takes effect immediately and he’ll be eligible to rejoin the Marlins on July 23 against the Braves.

Oviedo saved 92 games for the Marlins from 2009-2011 while posting a 3.86 ERA and solid secondary numbers, but the team signed Heath Bell to a three-year, $32 million contract during the offseason to take over as closer. While that contract hasn’t worked out so well thus far, Bell will likely be given every opportunity to keep his job.

The Yankees stopped playing Kate Smith’s version of “God Bless America”

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The Yankees have played “God Bless America” during the seventh inning stretch since 9/11. The version they play is the most famous version, recorded in 1939 by Kate Smith. As of today they will no longer be playing the Kate Smith version, however.

Why? The New York Daily News reports that it’s because “the Yankees were made aware of Smith’s history of potential racism.” Which is a rather interesting way of putting it, because there’s not much “potential” to this:

Smith was a famous singer before and during WWII who recorded the offensive jingle, “Pickaninny Heaven,” which she directed at “colored children” who should fantasize about an amazing place with “great big watermelons,” among other treats. She shot a video for that song that takes place in an orphanage for black children, and much of the imagery is startlingly racist. She also recorded, “That’s Why Darkies Were Born,” which included the lyrics, “Someone had to pick the cotton. … That’s why darkies were born.”

I’m guessing this information was available in some Kate Smith biography or is in the memory of some of her big fans who may still be alive, but it was news to the Yankees until recently and once they learned it they decided that going with a version of the song NOT sung by Kate Smith was better. Good call!

Oh, and this was not the first time that the Yankees had to make this kind of call. Ten years ago they fired Irish tenor Ronan Tynan, who used to sing the song at the ballpark during the postseason, after he made anti-Semitic remarks. Precedent, baby.

Anyway, I’m sure someone will complain about this, but I feel like there are better hills to die on than “the Yankees should continue to play the racist lady’s version of the show tune that, despite what we think of it now, was never meant as an actual patriotic anthem.”

If you feel like dying on that hill, be my guest. But please, show your work.