Miguel Cabrera is better than Matt Capps

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We knew this already, though, right?

With a man on in the top of the ninth, Detroit’s Miguel Cabrera took an 0-2 fastball from Matt Capps to dead center for his ninth homer Sunday, giving the Tigers a 4-3 lead they wouldn’t relinquish in a victory over the Twins.

It was the first blown save for Capps in 10 chances this year, so he didn’t really deserve the boos he received from the Target Field crowd. Sometimes you just get beat, and when it’s a talent like Cabrera administering the whipping, you shake your head and move on.

Of course, there’s plenty of lingering resentment in Minnesota over Capps’ 2011 performance. He blew nine saves in just 24 chances last year.

Cabrera’s homer capped a three-RBI day. He second in the AL with 40 RBI even though he hasn’t really gotten hot at any point yet this season. Indeed, his OPS is down about 150 points from where he finished 2010 and ’11.

The Tigers were in position to take the lead because of an outstanding leaping catch made by center fielder Quintin Berry to end the eighth, stranding an insurance run on third. Twins announcer Dick Bremer twice labeled it “one of the best catches you’ll ever see.” And the catch itself was outstanding. On the other hand, his jump off the bat and his route to the ball were anything but. A better center fielder likely would have made the play look a lot easier.

The Yankees stopped playing Kate Smith’s version of “God Bless America”

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The Yankees have played “God Bless America” during the seventh inning stretch since 9/11. The version they play is the most famous version, recorded in 1939 by Kate Smith. As of today they will no longer be playing the Kate Smith version, however.

Why? The New York Daily News reports that it’s because “the Yankees were made aware of Smith’s history of potential racism.” Which is a rather interesting way of putting it, because there’s not much “potential” to this:

Smith was a famous singer before and during WWII who recorded the offensive jingle, “Pickaninny Heaven,” which she directed at “colored children” who should fantasize about an amazing place with “great big watermelons,” among other treats. She shot a video for that song that takes place in an orphanage for black children, and much of the imagery is startlingly racist. She also recorded, “That’s Why Darkies Were Born,” which included the lyrics, “Someone had to pick the cotton. … That’s why darkies were born.”

I’m guessing this information was available in some Kate Smith biography or is in the memory of some of her big fans who may still be alive, but it was news to the Yankees until recently and once they learned it they decided that going with a version of the song NOT sung by Kate Smith was better. Good call!

I’m sure someone will complain about this, but I feel like there are better hills to die on than “the Yankees should continue to play the racist lady’s version of the show tune that, despite what we think of it now, was never meant as an actual patriotic anthem.”

If you feel like dying on that hill, be my guest. But please, show your work.