I started the day with Joe Morgan, so I’ll end the day with Joe Morgan.
I think I’m in the distinct minority in not really celebrating his departure from ESPN. I can live with that. I belong to a lot of distinct minorities. People who like Dylan’s signing voice for its own sake. People who prefer “Next Generation” to the Original Series. People who have had restraining orders issued against them for excessive handsomeness. It just goes with the territory of being a well-rounded gentleman.
But I can’t ignore the dissenting voices. The loudest and most effective of which on the subject of Joe Morgan came five years ago when Tommy Craggs wrote the definitive piece on what Morgan has become and what he means to the state of broadcasting and baseball thought. If you haven’t read it, by all means, take the time, as it’s still relevant, if not for Morgan himself, but for his many like-minded cohorts in the biz. The only dissent I’ll offer is that, while everything Craggs writes is correct and important to our consideration about the man, it’s entirely possible to not to know any of that stuff and not have it affect our baseball watching one iota. I know that’s an odd claim coming from me given that I go meta on the media and overanalzye everything, but it’s how I feel. Maybe it’s caused by lingering affection for some old Joe Morgan cards. I can’t say.
Finally, when you’re done with Craggs’ piece — or better yet, before you jump into it because it’s long and you’ll want more context — read Emma Span’s take over at Bronx Banter. I think she frames the matter perfectly. The upshot: in a perverse way, we needed Joe Morgan to come into our living room on Sunday nights like the Batman needs Joker. He completes us. We need him on that wall, etc.
Now: who has dibs on “Fire Orel Hershiser?” Because I smell a blogging opportunity!