Jim Leyland: “it’s time … the fuel was starting to get low”

30 Comments

The Tigers just held Jim Leyland’s press conference. The highlights:

Leyland said he wanted it to be clear that he was not at all forced out. It was all his idea. And the idea had been in his head for longer than many may have expected.

On September 7th, after the game against Kansas City, he met Dave Dombrowski for coffee and told Dombrowski that he was going to step down after the season. Dombrowski wanted him to stay, but Leyland said that “it was time” and that “the fuel was starting to get low.” No players were told. Dombrowski told only owner Mike Ilitch. Leyland told his wife, Tony La Russa and Gene Lamont, each of whose advice he took on the matter.  Leyland wanted to make the time frame of his decision — and the fact that only a couple of people knew — totally clear so that it could not be said that there was any sense on part of the players that they weren’t on the same page as he was. They had no idea that he was going to be gone.

MORE: Is Jim Leyland headed for Cooperstown?

He first informed his players Saturday night after the loss to Boston. There was first silence and then applause. He had nothing but good things to say about his players and reaffirmed, without hesitation, how he was proud of being thought of as a players’ manager throughout his career. He had nothing but the most glowing praise for owner Mike Illitch and Dave Dombrowski. For whom he will still be working, by the way, as Leyland announced that he will be accepting another position in the organization and said he “wanted to retire a Tiger.”

As anyone who has watched the Tigers closely knows, Leyland is an emotional man. He lasted longer in this press conference without crying than I figured he would. But about five minute in he thanked the people of the Tigers organization and then things got awfully misty. You just want to give the guy a hug.

MORE: Who replaces Leyland in Detroit?

Most of the questions/answers after his statements were what you’d expect. But one nugget did come out: Dave Dombrowski does not feel obligated to hire a guy with major league managing experience, saying he didn’t see the point in limiting available candidates.

Oh, and Leyland told a fart joke. Seriously. It had nothing to do with anything, but you can tell the guy is feeling good about his decision.

 

There is no need to lament the loss of “The Great Hollywood Baseball Movie”

1 Comment

Today in the New York Times Jay Caspian Kang writes about what he calls the loss of “The Great Hollywood Baseball Movie.” About how there are few if any big baseball movies anymore. Movies which traffic in baseball-as-metaphor-for-America with Jimmy Stewart (or Kevin Costner)-types playing characters which seem to transcend time, elevate our emotions and rack up the dollars at the box office.

It’s a bit of meandering column, with just as much time spent on Kang’s seeming dissatisfaction with modern baseball and baseball telecasts as his dissatisfaction with baseball cinema, but he winds it up with this, which sums his argument up well enough:

Baseball’s cinematic vision of Middle America no longer means what it once did. The failing family enterprise and the old, forbearing white — or Negro Leagues — ballplayer now remind us of an extinct vision of the country and the growing distance between Middle America and the coasts. The attempts to update the archival, sun-kissed, Midwestern vision — whether on last year’s “Pitch,” the Fox TV show about a woman pitching in the majors, or “Million Dollar Arm,” the 2014 Disney movie in which Jon Hamm goes to India to convert cricket bowlers into pitchers — are canceled or bomb at the box office.

You won’t be surprised that I take a great deal of issue with all of this.

Mostly because it only talks about one specific kind of baseball movie being AWOL from cinemas: the broad works which appeal to the masses and which speak to both the past, present and future, often with a hazy nostalgia in which love of baseball and love of America are portrayed as one and the same.

It’s worth noting, though, that such films are extraordinarily rare. There was a brief time when such things existed and did well at the box office — the 1980s had “The Natural,” “Field of Dreams,” “Bull Durham” and “Major League” in a relatively short period of time — but that’s the exception, not the rule.

Baseball movies are almost always niche flicks. Biopics made of recently deceased stars like Babe Ruth and Lou Gehrig. Weird slices of life like “The Bad News Bears” or “The Sandlot.” Quirky comedies that are baseball offshoots of larger cinematic trends like “Little Big League,” which was just the latest in a series of “kids doing adult things” movies popular at the time. Or “Rookie of the Year” which is essentially baseball’s version of one of those body-switch movies that come and go. Or “Mr. Baseball” which was just a fish-out-of-water comedy like any other.

We still get those kinds of smaller baseball movies fairly often. They’re still pretty decent and still do pretty decently at the box office, even if they’re no one’s idea of a blockbuster.

“Moneyball” was done well and did well, not as a mass appeal movie, but as one of many business/Silicon Valley flicks that have popped over the past few years. “Sugar” was a great movie, but a small movie, exploring a culture about which most people aren’t aware and basically serving as a character study. “42” is just an updated (and much better) version of those old biopics of baseball stars. “Everybody Wants Some” may be the quintessential niche baseball movie in that it’s a story about characters which just happen to have a lot of baseball in their lives. “Bull Durham” was like that too, but it just came along at the right time to become a massive hit. As many have noted, baseball was more background than plot in that movie, even if the background was amazingly well done. I’d argue that most good baseball movies use baseball like that rather than put it squarely in the foreground.

There will likely always be baseball movies, but they will almost always be smaller ones, not large blockbusters or Oscar bait with an epic sweep. Most baseball movies are like baseball itself in that they lack a grand consensus. Baseball is not The National Pastime anymore — it’s just one of many forms of sports and entertainment available to the masses — so it follows that the movies which deal with it will likewise not have that massive cross-market appeal.

I think that’s a good thing. Smaller baseball movies more accurately reflect the sport’s place in the culture. To portray baseball as something larger than what it actually is opens the door to a lot of artistic and cultural dishonesty and runs the risk of creating some really bad art.

I mean, have you seen “Field of Dreams?” Bleech.

The Yankees set up “The Judge’s Chambers” cheering section for Aaron Judge

New York Yankees
4 Comments

The Yankees aren’t well-known for going all-in on goofy, fan-friendly fun. While some organizations are happy to jump on new and even silly or ephemeral trends for the yuks of it, the Yankees have tended to keep things rather businesslike when it comes to promotions and things. They’ve always played the long game, assuming — not always unreasonably — that their brand is best defined by the club’s history and greatness and quiet dignity and stuff.

Aaron Judge and his breakout rookie season is changing things. His fast start has caused fans to dress up in judge’s robes and stuff, so the team is having fun with it. They’ve set up a special section called “The Judge’s Chambers,” complete with a jury box vibe:

 

Fans will be selected to sit in the special section, which is in section 104 in right field, right behind where Judge plays, and will be handed foam gavels with “All Rise” written on them. To be selected at the moment it’d help if you wear one of those judicial robes with Judge’s number 99 on the back or his jersey or an English judge-style powdered wig. Going forward, the Yankees will also use the section for groups and charity events and stuff.

Judge is on a 58-homer pace right now. It’s unlikely he’ll keep that up, but he certainly looks like the real deal. And, for the Yankees and their fans, he’s giving them the chance for some real fun.