Movie Review: “42”


We all know the story, I hope: baseball, due to an odious “gentleman’s agreement,” kept itself segregated and lily white for 50-60 years. Branch Rickey, as general manager of the Brooklyn Dodgers, set out in the mid 1940s to find just “the right man” — meaning a black man — to bring to the major leagues, thereby breaking that color barrier. Jackie Robinson was the right man. He made his major league debut in 1947, standing up to and utterly transcending the petty and hateful moods of the day, making the racists look like the retrograde buffoons they were, kicking off a Hall of Fame major league career and changing baseball — and America — forever.

But the fact that we all know that story creates one small problem: how in the heck do you make a movie out of it that delivers anything fresh, new or even the least bit suspenseful? With a fantastic hero and a fantastic story — which has the added benefit of being 100% true — at their disposal, this was the challenge for the makers of “42.”  They did a good job with it. Not a great job. But a good job. One that’s worth the price of admission but that isn’t quite the Oscar-bait or piece of importance you get the sense they think they made.

The central problem with the film is a problem you see with almost all biopics: characters who appear to be overly-aware that they’re in a biopic. To be sure, Branch Rickey, Jackie Robinson and others knew for a fact that what they were doing was historically significant. But I’m struggling to imagine how the real Jackie Robinson and Branch Rickey could ever have carried on a couple year’s worth of conversations in which every other phrase was a platitude or a grand declaration underscoring just how significant everything was. Yes, a filmaker needs a shorthand way to convey years’ worth of information and drama in a 115-minute film, but Harrison Ford’s Rickey and Chadwick Boseman’s Robinson often seem more like robots from a living history museum than real people.

source:  Which isn’t to say that their performances aren’t good. In fact, in many ways they’re quite wonderful. Chadwick Boseman impresses as Robinson, especially in the baseball scenes. Actors frequently screw up baseball movies due to their inability to, you know, play baseball (I’m looking at you Tim Robbins, Tony Danza and many, many others), but Boseman captures Robinson’s essence as a ballplayer. Most impressively his running style and the way in which he terrorized pitchers trying to hold him on. While the thinner-bodied Boseman isn’t exactly a close physical match for Robinson, not once while watching him do you not believe he is, in fact, Jackie Robinson. That’s something that an awful lot of biopics screw up (I’m looking at you Leo DiCaprio in “The Aviator” and Jack Nicholson in “Hoffa”).

Harrison Ford is another matter. Much has been made about how he has hammed it up as Rickey. And yes, it is a bit jarring at first to see a longtime leading man like Ford putting on such a mannered, almost gimmicky performance. But over the course of the film Ford’s Rickey grew on me. It’s weird. You never forget that you’re watching Harrison Ford playing someone who is, more or less, Branch Rickey. But you can tell Ford had a lot of fun doing it and that sense of fun helps lighten things up somewhat in a film with many difficult and often uncomfortable scenes. And, strangely enough, knowing that it’s Harrison Ford there under those bushy eyebrows — Han Solo! Indiana Jones! Jack Ryan! The President of the United States! — adds some gravitas to a character which demands some gravitas.

With a sometimes ponderous script on one side and some winning performances on the other, what puts this movie over as a good one? The decision to focus most of the film’s attention on the baseball. After a couple of opening scenes set in offices, most of the rest of what’s important in “42” happens on the diamond, and those scenes look and feel great. Thanks to some nifty CGI Ebbets Field, the Polo Grounds, Forbes Field and Crosley Field look so real you’d think you’ve stepped into a time machine. The game play feels real too. Maybe a bit minor league (I know Robinson was fast, but man, those catchers couldn’t have thrown THAT poorly back then) but what is often a weakness in baseball movies — the actual baseball — is a strength here.

Other strengths: winning supporting performances from Alan Tudyk as Phillies manager Ben Chapman, John C. McGinley as Red Barber and Christopher Meloni as Leo Durocher. Tudyk is absolutely (and appropriately) horrifying as the racist Chapman. McGinley delivers Barber’s signature catch phrases (“in the catbird seat” and “tighter than a new pair of shoes on a rainy day”) as if they weren’t signature catch phrases, putting you in mind of a radio listener in 1947. Meloni’s Durocher takes a few more liberties — I sincerely doubt the real Durocher casually dropped things like “nice guys finish last” at the end of random phone calls — but he conveys Durocher’s larger-than-life persona in a few key scenes.

Ultimately, “42” is a good baseball movie which delivers on the baseball but not so much on the movie. History tells us what happened, so it can only do so much to be even a little bit suspenseful or surprising. And the format almost requires conversations to be exercises in exposition rather than true, character-driven dialogue. For this reason it doesn’t enter the baseball movie pantheon and, at times, can be a bit of a slog.  But it’s definitely worth your time and your money.

Report: Barry Bonds under consideration to be the Marlins hitting coach

Barry Bonds

This shouldn’t cause any controversy, lead to a lot of people saying dumb things or provide fodder for jokes at all. Nope, none whatsoever:

In what promises to be a bombshell move, if executed, all-time great slugger Barry Bonds is under consideration to become Marlins hitting coach.

Team higherups have quietly been discussing this possibility for weeks.

That’s Jon Heyman, who reminds us that Bonds has worked with the Giants in the spring in recent years. And who, no matter what else you can say about him, was one of the greatest hitters the game has ever seen. Also worth remembering that despite his controversial past, that greatness came not just from physical gifts, naturally or artificially bestowed. It came from his approach, preparation and strategy at the plate. No one can teach a hitter to hit like Barry Bonds, but you’d think that hitters could be taught to try to approach an at bat the way Barry Bonds would. And who better to do it than Barry Bonds?

That is, if Bonds is willing to drop his seemingly ideal retired life in San Francisco, move to Miami and work for Jeff Loria for nine months a year. Which, eh, who knows? But the possibility of it is pretty fascinating to think about.

Yadier Molina’s new backup: Cardinals sign Brayan Pena to two-year deal

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Veteran catcher Brayan Pena has agreed to a two-year, $5 million contract with the Cardinals, who’re investing much more than usual in their backup for Yadier Molina.

After bouncing around for a decade without getting even 250 plate appearances in a season Pena signed with the Reds and topped 350 plate appearances in both 2014 and 2015. His production didn’t improve any, as Pena hit .263 with five homers and a .652 OPS in 223 games as a regular.

Pena’s best skill is rarely striking out, which enables him to hit for a decent batting average, but he has very little power and swings at everything. He struggled to control the running game this season at age 33, but has a decent throw-out rate for his career.

Making a multi-year commitment to Pena suggests the Cardinals are no longer counting on Molina being the same type of workhorse behind the plate, which certainly makes sense given his age and injury history. Pena will replace Tony Cruz, who’s been Molina’s understudy since 2011 while hitting just .220 with five homers and a .572 OPS in 259 games.

While we wait for free agent signings: Andrew McCutchen stars in a one-act play

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It’s a pretty slow offseason so far. We’ve had a couple of minor signings. I guess Jordan Zimmermann is sort of a big deal. But it’s a lot more quiet so far this year than it was this time last year. I suppose there’s no real rhyme nor reason for it. Baseball offseason is long, there is no salary cap and thus there’s no rush to do things too quickly.

So, while we wait, here’s Andrew McCutchen doing his best to kill time until spring training starts:

Red Sox sign outfielder Chris Young

Chris Young Getty

Veteran outfielder Chris Young thrived in a platoon role for the Yankees this past season and now he’s headed to the rival Red Sox to fill a similar role, signing a multi-year deal with Boston according to Ken Rosenthal of FOXSports.com.

Young was once an everyday center fielder for the Diamondbacks, making the All-Star team in 2010 at age 26, but for the past 3-4 years he’s gotten 300-350 plate appearances in a part-time role facing mostly left-handed pitching. He hit .252 with 14 homers and a .773 OPS for the Yankees, but prior to that failed to top a .700 OPS in 2013 or 2014.

Given the Red Sox’s outfield depth–Mookie Betts, Rusney Castillo, Jackie Bradley Jr., and Brock Holt even with Hanley Ramirez back in the infield–Young is unlikely to work his way into everyday playing time at age 32, but he should get another 300 or so plate appearances while also providing a veteran fallback option. And it’s possible his arrival clears the way for a trade.