42

Movie Review: “42”

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We all know the story, I hope: baseball, due to an odious “gentleman’s agreement,” kept itself segregated and lily white for 50-60 years. Branch Rickey, as general manager of the Brooklyn Dodgers, set out in the mid 1940s to find just “the right man” — meaning a black man — to bring to the major leagues, thereby breaking that color barrier. Jackie Robinson was the right man. He made his major league debut in 1947, standing up to and utterly transcending the petty and hateful moods of the day, making the racists look like the retrograde buffoons they were, kicking off a Hall of Fame major league career and changing baseball — and America — forever.

But the fact that we all know that story creates one small problem: how in the heck do you make a movie out of it that delivers anything fresh, new or even the least bit suspenseful? With a fantastic hero and a fantastic story — which has the added benefit of being 100% true — at their disposal, this was the challenge for the makers of “42.”  They did a good job with it. Not a great job. But a good job. One that’s worth the price of admission but that isn’t quite the Oscar-bait or piece of importance you get the sense they think they made.

The central problem with the film is a problem you see with almost all biopics: characters who appear to be overly-aware that they’re in a biopic. To be sure, Branch Rickey, Jackie Robinson and others knew for a fact that what they were doing was historically significant. But I’m struggling to imagine how the real Jackie Robinson and Branch Rickey could ever have carried on a couple year’s worth of conversations in which every other phrase was a platitude or a grand declaration underscoring just how significant everything was. Yes, a filmaker needs a shorthand way to convey years’ worth of information and drama in a 115-minute film, but Harrison Ford’s Rickey and Chadwick Boseman’s Robinson often seem more like robots from a living history museum than real people.

source:  Which isn’t to say that their performances aren’t good. In fact, in many ways they’re quite wonderful. Chadwick Boseman impresses as Robinson, especially in the baseball scenes. Actors frequently screw up baseball movies due to their inability to, you know, play baseball (I’m looking at you Tim Robbins, Tony Danza and many, many others), but Boseman captures Robinson’s essence as a ballplayer. Most impressively his running style and the way in which he terrorized pitchers trying to hold him on. While the thinner-bodied Boseman isn’t exactly a close physical match for Robinson, not once while watching him do you not believe he is, in fact, Jackie Robinson. That’s something that an awful lot of biopics screw up (I’m looking at you Leo DiCaprio in “The Aviator” and Jack Nicholson in “Hoffa”).

Harrison Ford is another matter. Much has been made about how he has hammed it up as Rickey. And yes, it is a bit jarring at first to see a longtime leading man like Ford putting on such a mannered, almost gimmicky performance. But over the course of the film Ford’s Rickey grew on me. It’s weird. You never forget that you’re watching Harrison Ford playing someone who is, more or less, Branch Rickey. But you can tell Ford had a lot of fun doing it and that sense of fun helps lighten things up somewhat in a film with many difficult and often uncomfortable scenes. And, strangely enough, knowing that it’s Harrison Ford there under those bushy eyebrows — Han Solo! Indiana Jones! Jack Ryan! The President of the United States! — adds some gravitas to a character which demands some gravitas.

With a sometimes ponderous script on one side and some winning performances on the other, what puts this movie over as a good one? The decision to focus most of the film’s attention on the baseball. After a couple of opening scenes set in offices, most of the rest of what’s important in “42” happens on the diamond, and those scenes look and feel great. Thanks to some nifty CGI Ebbets Field, the Polo Grounds, Forbes Field and Crosley Field look so real you’d think you’ve stepped into a time machine. The game play feels real too. Maybe a bit minor league (I know Robinson was fast, but man, those catchers couldn’t have thrown THAT poorly back then) but what is often a weakness in baseball movies — the actual baseball — is a strength here.

Other strengths: winning supporting performances from Alan Tudyk as Phillies manager Ben Chapman, John C. McGinley as Red Barber and Christopher Meloni as Leo Durocher. Tudyk is absolutely (and appropriately) horrifying as the racist Chapman. McGinley delivers Barber’s signature catch phrases (“in the catbird seat” and “tighter than a new pair of shoes on a rainy day”) as if they weren’t signature catch phrases, putting you in mind of a radio listener in 1947. Meloni’s Durocher takes a few more liberties — I sincerely doubt the real Durocher casually dropped things like “nice guys finish last” at the end of random phone calls — but he conveys Durocher’s larger-than-life persona in a few key scenes.

Ultimately, “42” is a good baseball movie which delivers on the baseball but not so much on the movie. History tells us what happened, so it can only do so much to be even a little bit suspenseful or surprising. And the format almost requires conversations to be exercises in exposition rather than true, character-driven dialogue. For this reason it doesn’t enter the baseball movie pantheon and, at times, can be a bit of a slog.  But it’s definitely worth your time and your money.

Yordano Ventura represented the best and worst of baseball’s culture

BOSTON, MA - AUGUST 28:  Yordano Ventura #30 of the Kansas City Royals delivers in the first inning during a game against the Boston Red Sox on August 28, 2016 at Fenway Park in Boston, Massachusetts.  (Photo by Adam Glanzman/Getty Images)
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It was reported this morning that Royals pitcher Yordano Ventura was killed in a car accident in the Dominican Republic. Former prospect Andy Marte was also killed in a separate car accident. Along with Jose Fernandez and Oscar Taveras, the baseball world has lost a lot of young, exciting talent in a very short amount of time.

Ventura was, like all of us, a complex human being. At his best, he was an exciting, talented, emotive pitcher who featured an electric fastball which sat in the mid-90’s and occasionally touched 100 MPH. At his worst, he was an immature, impressionable kid trying to fit in by exacting revenge against batters he felt had wronged him by slinging those electric fastballs at vulnerable areas of their bodies.

Baseball needed Ventura when he was at his best. It is players like him and Fernandez, not Mike Trout, that bring in new fans to the sport. To baseball die-hards, Angels outfielder Mike Trout is the pinnacle of entertainment because we know he’s an otherworldly talent. But to the average fan, Trout is just another player who hits a couple of homers and doesn’t do anything particularly interesting otherwise. Trout is milquetoast. Ventura was never an All-Star, but fans knew who he was because he made his presence felt every time he made a start. He was fun, if sometimes vengeful.

Ventura’s baseball rap sheet is rather lengthy for someone who only pitched parts of four seasons in the big leagues. Early in the 2015 season, Ventura found himself in a handful of benches-clearing incidents in quick succession. On April 12, he jawed with Trout, apparently misunderstanding the motivation behind Trout yelling, “Let’s go!” Though catcher Salvador Perez intervened, Trout’s teammate Albert Pujols ran in from second base and the benches cleared shortly thereafter. On the 18th, some drama between the Athletics and Royals continued. Ventura fired a 99 MPH fastball at Brett Lawrie, resulting in his immediate ejection from the game. More beanball wars ensued in the series finale the following day. Finally, on the 23rd, Ventura hit White Sox first baseman Jose Abreu with a 99 MPH fastball in the fourth inning. Ventura was not ejected… until after the completion of the seventh inning. Walking back to the dugout, Ventura barked at White Sox outfielder Adam Eaton and — you guessed it — the benches cleared. All told, Ventura was fined for his behavior with the Athletics and suspended seven games for the White Sox incident.

In August 2015, Ventura called Blue Jays outfielder Jose Bautista a “nobody” and accused him of stealing signs. He apologized shortly thereafter. Two months later, during his start in Game 6 of the ALCS against the Blue Jays, Ventura got into it with Jays first base coach Tim Leiper. Nothing happened beyond that, but apparently it was part of the Jays’ plan to try to put Ventura “on tilt.”

Most recently, in June this past season, Ventura hit Orioles third baseman Manny Machado with a pitch. Machado charged the mound and got in at least one punch before the players spilled out onto the field in a blob of royal blue and orange. Ventura was suspended for eight games.

Ventura was by no means a model of civility, but he was a product of baseball’s intransigent culture forcing players to assimilate or be ostracized. The old culture taught players to never show emotion. Hit a home run? Put your head down and circle the bases in a timely fashion or risk taking a fastball to the ribs. Players like Fernandez and Bautista — typically players from Latin countries — challenged those old cultural norms and are, as a result, the vanguard of the new culture. Ventura displayed aspects of each, the worst of the old culture and the best of the new. He was not a one-dimensional person; he was strikingly complex. At one moment willing to use a fastball as a weapon, the next stopping by some kids’ lemonade stand and giving out fist bumps. Baseball is made more entertaining and more interesting by its personalities and Ventura’s was a behemoth, for better or worse. His absence from the sport will be felt.

MLB remembers Yordano Ventura and Andy Marte

BOSTON, MA - AUGUST 28:  Yordano Ventura #30 of the Kansas City Royals delivers in the first inning during a game against the Boston Red Sox on August 28, 2016 at Fenway Park in Boston, Massachusetts.  (Photo by Adam Glanzman/Getty Images)
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Following the tragic passing of 25-year-old Yordano Ventura and 33-year-old Andy Marte, both of whom were killed in separate car crashes on Sunday morning, players and executives from around Major League Baseball expressed an outpouring of grief and support for the players’ families and former teams.

Fans have gathered at Kauffman Stadium in memory of the former pitcher.