Dylan

And That Happened: Thursday’s Scores and Highlights

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There were only three freakin’ games last night. Three!  How is this fair? Bah! Bah, I say.  So, to make up for the lack of games to talk about, I go into some random Bob Dylan stuff below the scores. My feature. Do what I wanna do.

Tigers 7, Red Sox 3: Max Scherzer continues to be non-disastrous, which is what the Tigers really need from him. Delmon Young and Quintin Berry each had three hits for Detroit. Alex Avila had one hit in the box score and one hit to the face while catching — foul ball — which left him bloody and forced him out of the game.

Rockies 11, Astros 5: Carlos Gonzalez’ reign of terror continues (3 for 4, HR, 2B, 3 RBI). Michael Cuddyer drove in three as well.  Astros starter Bud Norris probably needs a hug. He gave up nine runs on seven hits in less than two innings. It’s OK, Bud. The bad men in the white pinstriped jerseys aren’t there to hurt you anymore.

Brewers 6, Dodgers 2:  Milwaukee sweeps the Dodgers in the four game series. Zack Greinke allowed one run over six.  The Matt Kempless-era, Part II, of the 2012 Dodgers has not gotten off to a rousing start. Gloom and doom is afoot, people. Gloom and doom.

OK, now — because there is no more baseball to talk about from last night — a giant digression …

I’ve probably made about a thousand Bob Dylan references on this blog over the years, so it’s probably no secret that I’m a big Dylan fan. Probably bigger than you think, though. I don’t talk about it THAT much but I’m fairly obsessive. I got almost all of it, even the crazy evangelical Christian albums he put out in the late 70s and early 80s. Even awful stuff like “Empire Burlesque” and “Self Portrait.”  All of the “official” bootlegs and a fairly decent number of unofficial ones. If Dylan has done it, I have it. Or at least have heard it.

There was a time when I’d corner you and act all jerky if you said you didn’t like Dylan. I’m way more mature about such things these days, realizing that the bulk of Bob Dylan is not for everyone and even the essential stuff can be an acquired taste. Yes, I think you’re missing the entire point if you say his voice is hard to listen to, but I’m past the point in my life where I’ll argue with you about it. I probably don’t like stuff you like and think is important and that’s OK.

But I can’t help myself here but to recommend The Onion A.V. Club’s Dylan primer that went up yesterday.  It’s shorter than extended overviews elsewhere but also detailed enough to let you know what it is you’re missing if you care. And it’s not overly fanboyish. It tells you what’s good and what sucks, which is the only way to be honest about the famously uneven Mr. Zimmerman. And it’s the most I can muster as far as Dylan proselytizing goes.

Anyway, since there are only three games to talk about, I figure I’d give you my personal Dylan top Albums list and maybe kick off some Dylan talk today. This is in no particular order — which of these is my favorites changes depending on my mood — but these five usually cycle through the top five:

The Freewheelin’ Bob Dylan: The one that introduced me to Bob when I was a kid, because my dad owned it. Of course my dad was also one of those guys who turned his back on Dylan when he went electric, so it’s not like my dad was cool or anything. When I swiped this from him sometime in the 80s he was all “Oh, yeah. You can have it.” “Girl From the North Country” may be the most beautiful song in his catalog and it makes me misty sometimes. It’s hard to believe that something so personal and affecting sounding can result from the same ancient folk song that served as the basis for something as sterile as Simon and Garfunkel’s “Scarborough Fair.” Really kids, it’s the same song. Listen to them if you don’t believe me.

Highway 61 Revisted: I could easily put “Bringing it All Back Home” here. Or “Blonde on Blonde.” With a nod to the Rubber Soul/Revolver/Sgt. Peppers Beatles and the Let it Bleed/Sticky Fingers/Exile Stones, they constitute what is perhaps the greatest three-album stretch of anyone ever. I tend to favor Highway 61, however, because I heard it first — on cassette! — when all I had known of Dylan before that was his early folk output. It hit me like a lightning bolt. I think it hits everyone like a lightning bolt. With “Desolation Row” serving like some post-storm rolling thunder after the worst of the storm is over.

Blood on the Tracks: Some call it “the Divorce Album.” It may be that. I certainly got reacquainted with it in major fashion when my marriage was disintegrating last year, because boy howdy does it resonate. But the fact is that it is much more than that. Just a beautiful song cycle that, for the first time, really sounded like it came from a truly mature Bob Dylan as opposed to a young man trying so hard to sound worldly.

Good as I Been to You: This doesn’t make many top Dylan lists. Don’t care. Wore it out when I got it in late 1992. Dylan was at something of a critical nadir when it came out but to me it sounded like a logical continuation or an echo or something of “Freewheelin,” which was still relatively new to me then. And it had the added bonus of refueling Dylan’s creative juices, even if he didn’t write a single song on the disc. Bonus: I defy anyone to show me a 60s-era classic rocker who does a better sea shanty than Dylan.

Time Out of Mind: After one more non-originals record in “World Gone Wrong,” Dylan unleashed this bad boy. If “Blood on the Tracks” represented a new maturity in Dylan, this one represented yet another, higher plateau in that regard. While Dylan in the 80s sounded like a man out of time — really, apart from “Brownsville Girl,” most of the “Oh Mercy” album and stuff that showed up on bootlegs later it was a wasted decade — here Dylan sounded like a man who knew he was entering his twilight years and decided that he could wear that very well (and as his next three albums showed, he is wearing it extremely well). Most of the album consists of Dylan staring death in the face and … being just fine with it. Indeed, since 1997 it’s been like Dylan and Death meet twice a week to sip whiskey and shoot the breeze.

Anyway. Thanks for indulging me. When there aren’t any ballgames sometimes my gravity fails and I need something besides negativity to pull me through. More often than not, Dylan has served that purpose in my life, so I can be forgiven for all of this blather, I hope.

Ichiro was happy to see Pete Rose get defensive about his hits record

SAN DIEGO, CALIFORNIA - JUNE 14:  Ichiro Suzuki #51 of the Miami Marlins warms-up during batting practice before a baseball game against the San Diego Padres at PETCO Park on June 14, 2016 in San Diego, California.   (Photo by Denis Poroy/Getty Images)
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You’ll recall the little controversy last month when Ichiro Suzuki passed Pete Rose’s hit total. Specifically, when Ichiro’s Japanese and American hit total reached Rose’s American total of 4,256 and a lot of people talked about Ichiro being the new “Hit King.” You’ll also recall that Rose himself got snippy about it, wondering if people would now think of him as “the Hit Queen,” which he took to be disrespect.

There’s a profile of Ichiro over at ESPN the Magazine and reporter Marly Rivera asked Ichiro about that. Ichiro’s comments were interesting and quite insightful about how ego and public perception work in the United States:

I was actually happy to see the Hit King get defensive. I kind of felt I was accepted. I heard that about five years ago Pete Rose did an interview, and he said that he wished that I could break that record. Obviously, this time around it was a different vibe. In the 16 years that I have been here, what I’ve noticed is that in America, when people feel like a person is below them, not just in numbers but in general, they will kind of talk you up. But then when you get up to the same level or maybe even higher, they get in attack mode; they are maybe not as supportive. I kind of felt that this time.

There’s a hell of a lot of truth to that. Whatever professional environment you’re in, you’ll see this play out. If you want to know how you’re doing, look at who your enemies and critics are. If they’re senior to you or better-established in your field, you’re probably doing something right. And they’re probably pretty insecure and maybe even a little afraid of you.

The rest of the article is well worth your time. Ichiro seems like a fascinating, insightful and intelligent dude.

There will be no criminal charges arising out of Curt Schilling’s video game debacle

Curt Schilling
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In 2012 Curt Schilling’s video game company, 38 Studios, delivered the fantasy role-playing game it had spent millions of dollars and countless man hours trying to deliver. And then the company folded, leaving both its employees and Rhode Island taxpayers, who underwrote much of the company’s operations via $75 million in loans, holding the bag.

The fallout to 38 Studios’ demise was more than what you see in your average business debacle. Rhode Island accused Schilling and his company of acts tantamount to fraud, claiming that it accepted tax dollars while withholding information about the true state of the company’s finances. Former employees, meanwhile, claimed — quite credibly, according to reports of the matter — that they too were lured to Rhode Island believing that their jobs were far more secure than they were. Many found themselves in extreme states of crisis when Schilling abruptly closed the company’s doors. For his part, Schilling has assailed Rhode Island politicians for using him as a scapegoat and a political punching bag in order to distract the public from their own misdeeds. There seems to be truth to everyone’s claims to some degree.

As a result of all of this, there have been several investigations and lawsuits into 38 Studios’ collapse. In 2012 the feds investigated the company and declined to bring charges. There is currently a civil lawsuit afoot and, alongside it, the State of Rhode Island has investigated for four years to see if anyone could be charged with a crime. Today there was an unexpected press conference in which it was revealed that, no, no one associated with 38 Studios will be charged with anything:

An eight-page explanation of the decision concluded by saying that “the quantity and qualify of the evidence of any criminal activity fell short of what would be necessary to prove any allegation beyond a reasonable doubt and as such the Rules of Professional Conduct precluded even offering a criminal charge for grand jury consideration.”

Schilling will likely crow about this on his various social media platforms, claiming it totally vindicates him. But, as he is a close watcher of any and all events related to Hillary Clinton, he no doubt knows that a long investigation resulting in a declination to file charges due to lack of evidence is not the same thing as a vindication. Bad judgment and poor management are still bad things, even if they’re not criminal matters.

Someone let me know if Schilling’s head explodes if and when someone points that out to him.