Earlier this week contract talks between the A’s and Japanese right-hander Hisashi Iwakuma broke down over what was, depending on which side you choose to believe, either a large or humongous gap in expected value.
Susan Slusser of the San Francisco Chronicle initially reported that Iwakuma was asking for a “Barry Zito-type deal” before agent Don Nomura quickly squashed that A’s-friendly spin.
Nomura, who’s been very active in using Twitter to get Iwakuma’s side of the negotiations public, indicated a couple days ago that he felt the talks were done. However, yesterday he e-mailed Slusser to say: “I don’t know if the talks are dead. I am assuming it’s over, however I am open for discussion until 11:59 p.m. on Dec. 7.”
According to Nomura the A’s offered Iwakuma a four-year, $15.25 million deal, which along with the $19.1 million posting fee would have made their total investment about $8.5 million per season. Iwamura is said to be seeking a three-year deal worth $11-12 million per season, in addition to the posting fee.
If the A’s offer and Iwakuma’s asking price are accurate, then it may be a moot point whether or not the two sides are continuing to negotiate. Oakland wants to invest a total of about $8.5 million per season, while Iwakuma is seeking a deal that would make the A’s total investment about $18 million per season. And based on previous Japanese players going through the posting process, Iwakuma and Nomura are further outside the norm than the A’s.
Typically the posting fee given to the Japanese team is very close to the contract given to the player. For instance, Daisuke Matsuzaka’s deal with the Red Sox involved a $51 million posting fee and $52 million contract. Ichiro Suzuki’s deal with the Mariners involved a $13 million posting fee and $14 million contract. Kei Igawa’s deal with the Yankees involved a $26 million posting fee and $20 million contract. And the splits were similar for Akinori Iwamura and Kazuhiro Ishii.
In this case Iwakuma’s posting fee was $19.1 million, yet he’s reportedly asking for a deal in the neighborhood of $35 million when the previously posted players outlined above suggest the contract should be closer to $20 million. Toss in the fact that the A’s have all the leverage because the $19.1 posting fee is refunded if a deal can’t be struck and it’s tough not to conclude that Iwakuma and Nomura are driving too hard a bargain.
Not a surprise, but a news item on a slow news day is a news item on a slow news day: Diamondbacks manager Torey Lovullo has named Zack Greinke as the club’s Opening Day starter.
Greinke’s first season with the Diamondbacks is not exactly what the club hoped for when he signed a six-year, $206.5 million deal in December of 2015. He dealt with oblique and shoulder issues while struggling to a 4.37 ERA over 26 starts. Greinke hasn’t pitched yet this spring, but will make his spring debut on Friday. He and the club are obviously hoping for a quiet March and a strong beginning to the season.
Either for its own sake or to increase the trade value of a player who was acquired by the previous front office regime.
A new website has launched. It’s called “La Vida Baseball,” and it’s all about celebrating the past, present and future of Latino baseball from a Latino perspective.
The site, produced in partnership with the Hall of Fame, has four general areas of focus:
- Who’s Now: Focusing on current Latino players;
- Who’s Next: Focusing on top prospects here, in the Caribbean and in Central and South America;
- Our Life: Off-the-Field stuff, including player’s lives, lifestyles and hobbies; and
- Our Legends: Focusing on Latino baseball history, Hall of Famers and overlooked players.
As the site has just launched there aren’t yet a ton of stories up there, but there is one about Roberto Clemente, another about Felix Hernandez and some other stuff.
The site is much-needed. Baseball reporters for American outlets are overwhelmingly white, non-Spanish speakers. Reporters, who, generally, gravitate to the players who are the most like they are. Which is understandable on some level. When you’re writing stories about people you need to be able to communicate with them and relate to them on more than a mere perfunctory level. As such, no matter how good the intentions of baseball media, we tend to see the clubhouse and the culture of baseball from a distinctly American perspective. And we tend to paint Latino players with a broad, broad brush.
La Vida Baseball will, hopefully, remedy all of that and will, hopefully, give us a fresh and insightful depiction Latino players and their culture.